Category: Slow Fashion

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Eddie Smock Tester Makes

Every time I go through the testing phase of pattern design, I’m hopeful but also nervous about how the process will go. It can be a bit nerve-wracking having your work looked at for the first time after you have been staring at it for months. One of the points of pattern testing is having help finding any errors in the instructions and drafting but also seeing the finished garment through the eyes of other makers besides myself. I love seeing all the different types of fabric used, modifications made to suit one’s body & preferences, and overall interpretation of the design and how it is styled.

During the testing phase, it was discovered that the sleeves for view 1 were too short. You will notice that for some testers their long sleeves are a bit short but still wearable. Some testers took this as an opportunity to make a few mods to the sleeve finishes. The sleeve length has since been adjusted.

Below is a look at the testers’ makes. I have included all the testers’ measurements, the version made, and if they had any potential plans on how to use any remaining fabric from the project.

Ambrosia: Chest/Bust – 40″, Hips- 41″, Height – 5’9″ | View 1, Size C, D-CUp | @ambrosiakramer

Ambrosia made View 1 out of a lightweight slubby cotton plaid. She made size C in the D-cup range and lengthened the dress by 3″. Ambrosia plans to wear the Eddie Smock not only as a dress but as a layering piece and a duster/light jacket. Due to the fabric width that she started with, she had very minimal fabric remaining and will probably use the scraps for stuffing.

Michele: Chest/Bust – 47.5″, Hips – 55″, Height – 5’2″ | View 1, Size E, B-Cup | @handmadelife.knit.sew

Michele was my first test fitter. She was instrumental in helping me through the early phases of hashing out the B-Cup & D-Cup ranges. Michele made two versions and with each, she went “off-road” a bit to make the garment work for her. Here she made View 1 in the B-cup range (even though she is a D-cup) to see how much the garment would rise in the front. It did rise, but she is not bothered by this. Michele included plenty of personalized details throughout the smock by adding details to the pockets and the neck facing.

Christina: Chest/Bust – 40″, Hips – 47″, Height – 5’9” | View 1, Size C, D-Cup | @ccmadethat

Christina made View 1, size C in the D-Cup range without any modifications. She used light-to-midweight cotton to make her version. Christina used bias binding to finish her sleeves since they ended up being a bit short for her. Her version shows how view 2 sleeves would look with view 1 body. Christina plans to wear her version as a dress, but also as a duster/layering piece. Christina made a Pearl Head Scarf by Spaghetti Western Sewing with her remaining fabric.

Rebecca: Chest/Bust – 34″, Hips – 37″, Height – 5’3″ | View 2, Size B, B-Cup | @rebeccacreechcreates

Rebecca used 5.3oz softened linen to make View 2. She didn’t make any modifications to the pattern layout. When deciding how wide to make her sleeve openings, Rebecca made sure they were wide enough that she could easily layer a long sleeve shirt under the tunic. Rebecca plans to use her remnant fabric to make a Thread & Sprout nature top and/or pillowcase.

Jess: Chest/Bust – 58”, Hips – 62”, Height – 5’6″ | View 1, Size H, D-Cup | @jessicarosesews

Jess made View 1, size H in the D-cup range. She didn’t make any modifications to the pattern. Jess used a poly-viscose to make her dress. Her pockets ended up being a bit short so that was something that I was able to adjust in the final pattern layout. She had a long, thin piece of fabric remaining that she thought could be made into a variety of accessories – a hairband, scrunchies, hair ribbon, wrapped on chunky hoop earrings, etc.

Bean: Chest/Bust – 35.5″, Hips – 36.5″, Height – 5’5″ | View 3, Size B, B-Cup | @sewsoybean

Bean made two versions of view 3, each with a different sleeve length. She was able to play with the pattern layout and made adjustments to make a version with 3/4 sleeves and one with long sleeves. I love that she was able to take the concept of the pattern and tweak it to work for her preferences and the fabric that she had on hand. Bean had a great idea of making a removable collar with some of the remaining fabric.

Nele: Chest/Bust – 34.5″, Hips – 39″, Height – 5’7″ | View 3, Size B, B-Cup | @cornelia_np

Nele made View 3 out of a very flowy, lightweight fabric. She made size B in the B-cup range without any modifications. While the shifty fabric was a bit more difficult to cut out, the finished blouse is lovely. Nele had minimal fabric remaining as she had previously used some of the fabric and she was able to get the pattern layout in the remaining piece.

Frankie: Upper bust – 36.5″, Full bust – 34″, Waist – 33″, Hip – 43″, Height – 5’7” | View 1, Size C, B-Cup | @gaseous.gay

Frankie made View 1, Size C, in the B-cup range. They used yarned-dyed cotton to make their version. Frankie only made modifications to adjust the layout to accommodate the slightly smaller fabric width. Frankie plans to use the garment as a layering piece. They had remaining fabric from the total cut and have already made a Pearl Head Scarf by Spaghetti Western Sewing.

Jini Kai: Chest/Bust – 48″, Hips – 49″ | View 2, Size E, D-Cup | @jini.kai

Jini Kai made View 2 out of lightweight linen. She made size E in the D-Cup range without any modifications. She chose to make her side ties from the remaining bias binding instead of using the provided pattern piece for the side ties. Jini Kai had minimal fabric remaining once the project was complete. She recommends making patchwork clothing with the scraps a la this patchwork clothing tutorial from Elbe Textiles.

Eowyn: Chest/Bust – 34″, Hips – 36″, Height – 5’5″ | View 1, Size B, B-Cup | @mr.and.mrs.rat

Eowyn made View 1 in size B, B-cup range. She used a piece of thrifted yarn-dyed cotton plaid to make her dress. Due to the shorter sleeves during the time of testing, Eowyn decided to finish her sleeves with bias-binding ties. She also chose to position her patch pockets in the front of the dress instead of on the sides. Eowyn plans to use any remnant fabric for toy-making projects.

Erika: Chest/Bust – 32″, Hips – 34″, Height – 5’6 | View 1, Size A, B-Cup | @ricky_sews

Erika made View 1 out of fine corduroy fabric. She made size A in the B-cup range. She adjusted the layout slightly by placing the side tie pattern piece in the horizontal direction because her fabric was only 43″ wide. Erika had 11.5″ of fabric remaining and she is considering making a fanny pack with it.

Beth: Chest/Bust – 48″, Hips – 49″ | View 1, Size D, B-Cup | @bettiegee

Beth chose to make View 1 out of heavier-weight linen. She sewed a size D in the B-Cup range. She changed the length to accommodate her height and also moved the pockets up to better work for her. Beth is going to wear the dress for a bit and decide if she wants to shorten the ties some and/or add more buttons.

Amanda: Chest/Bust – 50″, Hips – 49″, Height – 5’5” | View 3, Size E, D-Cup | @Mandabe4r

Amanda made View 3 out of cotton shirting. She made size E in the D-Cup range. She didn’t make any adjustments to the pattern layout. Amanda decided to leave off the buttons for now and use the blouse as a layering piece. I also love how she styled the blouse by crossing over the front panels and tucking them in. Amanda plans on incorporating the small amount of remaining fabric into a patchwork project that she is currently working on.

Laurie: Chest/Bust – 49″, Hips – 52″, Height – 5’5″ | View 1, Size D, D-Cup | @Serendipitystation

Laurie used a heavier-weight mystery fabric from their stash to make View 1. They chose to make size D in the D-Cup range. Laurie’s measurements put them directly between two sizes in the bust. They chose to size down and in the end, they think that sizing up may be the better option, especially in a heavier fabric. Laurie plans to use this Eddie Smock as a duster. With the small amount of remaining fabric, they thought adding a ruffle or collar to the smock would be a good option.

Jeanne: Chest/Bust – 37″, Hips 50″, Height – 5’2.5″ | View 2, Size D, B-Cup | @prairie_sewn

Jeanne chose to make View 2 out of cotton lawn. She made size D in the B-cup range. Jeanne adjusted the length of the overall smock (shortened by 4″) and the length of the sleeves by 2″. Due to her length adjustments, she was able to make her pockets out of one piece instead of piecing two together. She also positioned her patch pockets in the front of the tunic inside of the sides.

Chris: Chest/Bust – 38.5″, Hips – 44.5″ | View 1, Size C, B-Cup | @cnielsenns

Chris made View 1 in size C, B-cup range. She chose a cotton/linen blend with a fairly loose weave. She adjusted the overall length and the sleeve length to accommodate her height, but the sleeves still end up being a bit short for her. Her sleeves ended up being 3/4 length with bias bound placket and edge. Chris will use the remaining fabric for pocket facings, etc.

Andrea | View 1, Size D, B- Cup | @andreawedley

Andrea reused an old linen bedsheet to make her version of the Eddie Smock. She sewed her version in a size D using the B-Cup range. Andrea used 3/4 length sleeves and chose to leave them un-gathered. Andrea experimented with different ways to tie her smock.

Lucy: Chest/Bust – 40″, Hips – 44″, Height – 6’1″ | View 2, Size D, B-Cup | @Lucyjobeeh

Lucy used lightweight denim to make View 2 of the Eddie Smock. She sewed a size D in the B-cup range, with 4″ of length to accommodate her height. Lucy plans to wear the smock as a utility type of garment and she chose to include visible topstitching to enhance this look. She had about a 4″ wide strip of fabric remaining and she plans on using it for patchwork projects.

Dani: Chest/Bust – 49.5″, Hips 50″, Height – 5’4″ | View 2, Size E, D-Cup | @maviecreative

Dani made View 2, size E in the D-cup range. She used a cotton bedsheet as a toile and plans to use it as a painting smock and she plans on adding 4 large buttons to close it over her clothes while painting, etc. Dani didn’t make any adjustments to the pattern layout. Dani is considering making a denim version for gardening with extra pockets. She plans on making more continuous bias binding with her remaining fabric.

I hope seeing all the testers’ versions is helpful when you are planning your own version. While the Eddie Smock is not intended to be an overly fit garment, it is helpful to review the finished garment measurements and make adjustments as needed. Please don’t hesitate to reach out to me via email if you have questions about selecting your size – emily@goldfinch.limited.

Once again, thank you to all my amazing testers! Going back through all the photos has me feeling so grateful for everyone who is so willing to help make sewing patterns better.

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Introducing the Eddie Smock

I’m thrilled to introduce you to my latest zero/minimal waste PDF sewing pattern – the Eddie Smock. The Eddie Smock is a garment that can be worn in many ways; from a fashionable, everyday piece to a functional, utility garment. It is an effortless garment staple with a loose-fitting, A-line silhouette that can be worn fully buttoned or easily layered over other garments to complete an outfit. The Eddie Smock is designed using zero-waste pattern-cutting techniques and features modular pattern pieces that come together to create a whole. The pattern is drafted directly to the fabric using the provided pattern layouts as a guide.

Eddie Smock PDF Sewing Pattern

The Eddie Smock was inspired by the classic artist smock. It is a practical garment, that is comfortable, flexible, and functional. The smock is a canvas for the expression of the individual sewist that provides freedom of movement and everyday practicality. You may choose to wear your smock as a fashionable dress or use the tunic as a gardening smock – there is a multitude of ways to wear the Eddie Smock.

The Eddie Smock comes in 3 views – dress, tunic, and blouse. There are 10 sizes ranging from bust/chest: 30”-70” (76.2-178cm) and hips: 32”-72” (81.3-183cm). The pattern is drafted for both B-Cup and D-Cup for all sizes. The pattern is designed to be sewn with light to mid-weight woven fabrics with no stretch; such as linen, cotton (poplin, lawn, gauze, chambray), silk noil, rayon or viscose, Tencel, mid-weight twill or light denim or canvas, etc (3-7oz/square yard | 102-238 GSM).

All views of the Eddie Smock feature slightly dropped shoulders, a button front, an inverted back pleat detail, and a bias-bound shirttail hem. View 1 is dress length with long, gathered sleeves with a button cuff, side tie detail to cinch at the waist or tie in the back, and patch pockets at the sides. View 2 is tunic length with ¾ length, gathered sleeve with a visible bias-bound edge, side tie detail to cinch at the waist or tie in the back, and patch pockets at the sides. View 3 is a blouse with short sleeves.

At some points throughout the design and development of this pattern, it felt as if the pattern had a mind of its own. The design began as a dress, but early in the development phase, I made a sample to test out a different neckline using of a piece of fabric that was shorter than the required length and so became View 2. Upon discovering that I liked the tunic length, I set out to add a blouse version. Due to the zero-waste pattern layout, each view has a different sleeve treatment. The components of each view/layout can be mixed and matched with a bit of creative planning. I plan on digging deeper into these potential adjustments in the near future.

Another design element that evolved over the course of the design process was the B-Cup and D-Cup size ranges. I knew I wanted to offer these options, but with a zero-waste layout, I wasn’t sure of the best way to go about it. I spent a lot of time researching and thinking about the different options. I asked myself “Could darts be added? How?” and “Was the idea even necessary with the amount of bust/chest ease?” In the end, I determined that I could keep the shoulder the same dimension for the B-Cup and D-Cup and change the bust ease to allow for a curvier fit of the D-Cup range. To do so, I needed to change the angle of the side panel. All of this is to say that, this project involved a lot more math than I expected. It was a fun challenge, but I’m so happy to be past that point.

I would like to thank my pattern testers for all their help in bringing the Eddie Smock pattern to the next level. Every time I go through the testing phase of pattern development, I’m blown away by the testers’ willingness to commit their time and energy to help me work out any issues the pattern may have. I’m looking forward to sharing their versions over the next few weeks, both on Instagram and the blog.

I have filmed a sew-along that I am in the process of editing. I will let you know once it’s up on my YouTube channel. I’m also looking forward to exploring a few hacks/modifications that I have been thinking about.

Eddie Smock PDF Sewing Pattern

I’m looking forward to seeing everyone’s versions of the Eddie Smock. Use the tags #GoldfinchEddieSmock #EddieSmock and @goldfinchtextilestudio to share your makes. I love seeing people’s different versions of the pattern. If you have any questions about the pattern please don’t hesitate to reach out to me at emily@goldfinch.limited. Thank you for your support!

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Jones Trousers Tester Makes

Hello, Hello! It has been a bit of a whirlwind with the release of the Jones Trousers. I have been blown away by the response to the pattern! I wanted to take a moment and highlight the pattern tester makes. I am beyond grateful for the time and effort that everyone put into testing this pattern, as it was essential to making this pattern the best that it can be. It’s also important for you to be able to see the pants on a variety of bodies and see what kind/if any modifications were made to achieve the desired fit.

Jones Trousers PDF Pattern

Here is a look at everyone’s makes and sizes:

Michele: Waist – 40″ Hip: 54″ | Size made: M | @handmadelife.knit.sew

Michele selected her size based on her hip measurement. Due to the difference at the waist, she put in additional back darts to help bring in the waist. Her pants are made from heavy-weight linen (7oz). Michele noted how confident she felt while wearing them!

Alexis: Waist – 30″ Hip – 42″ | Size made: F | @helloalexisbailey

Alexis chose her size based on her waist measurement. She made her pair out of a light-weight corduroy (which does require a bit of preplanning before cutting). She eliminated the belt loops and back pockets.

Alyx: Waist – 26” Hip – 35” | Size made: A | @enderallsews

Alyx chose to size down and make Size A based on the finished garment measurements. She used a denim cotton twill to make her trousers. She eliminated the back pockets and cuffs.

Tracy: Waist – 59.5” Hip – 59.5” | Size made: P | @cotton_and_seed_handmade

Tracy made a toile out of a bedsheet to test the fit. She found that the pants were very comfortable, but the pocket openings were too small. I was able to address this issue for the final pattern.

Cindy: Waist – 27″ Hip – 37″ | Size made: D | @the_sew_sew

Cindy’s waist was a size C and hips were a size E so she made size D. She was able to modify the waist easily and the hip ease made it great to size down. She took 1″ in on the waist through back darts and side seams. Cindy made her pair out of 6 oz. denim.

Morgan: Waist – 54″ Hip – 67″ | Size made: Q | @hedgewitchmakes

Morgan chose to make a Size Q based on her hip measurement. Due to the difference between her hip and waist measurements, she made the side seams curve inwards and also made the back darts wider. Her version is made from a heavyweight cotton blend.

Erika: Waist – 25″, Hip – 34″ | Size made: A | @eruthd

Erika made a Size A and chose her size based on her waist measurement. She found that she still had plenty of ease at the hips when using the waist measurement to select a size.

Rebecca: Waist – 29”, Hip – 37” | Size made: E | @rebeccacreechcreates

Rebecca’s measured exactly in Size E. She made her version out of ventana twill and did not make any modifications to this pair.

Andrea: Waist – 35.8″/91 cm, Hip – 41.7″/106 cm | Size made: H | @andreawedley

Andrea’s measurements put her in two sizes – I for the waist and H for the waist. She chose to make a straight size H and due to the elastic back she was able to make that size work well for her. She made her final pair out of a linen-viscose mix.

Kathe: Waist – 36″, Hip – 40″ | Size made G | @tijerashomesewn

Kathe measures across 3 sizes. After discussing the options, she decided to make a pair based on her hip size and make adjustments to the waist. She did eliminate the back darts to accommodate the difference at the waist. Her pair is made from a lightweight denim cotton.

Mandy: Waist – 37”, Hip – 49” | Size made: K | @handmademandy

Mandy’s measurements put her across a couple of sizes. She chose to sew Size K which is closest to her hip size. She made no modifications to Size K and made the pants out of linen.

Jessica: Waist – 27″ Hip – 35″ | Size made: C | @jess.sews.stuff

Jessica’s measurements put her right at a Size C. She added 1″ to the front and back rise and removed 1″ from the front and back pant leg. She considered her seated hip measurement and expected range of motion when choosing a size and looked at the finished measurement chart to compare.

Amanda: Waist – 39.4″/100 cm Hip – 49.7″/126cm | Size made: K | @queen_ambrosia_

Amanda’s measurements put her between a Size K and Size L . After playing around with the traced pattern pieces she decided on a K. She used a drapey eucalyptus/linen/cotton blend.

Lenzy: Waist – 30″ Hip – 40″ | Size made: G | @thepetitepearsews

Lenzy’s waist and hip fell into two different sizes. She selected a size based off of her hip measurement and adjusted the waist by increasing the darts and pleats, and the side seam allowance from the hip to waist. She also shorted the legs to accommodate her height. Her version is made from slub linen.

Jess: Waist – 48″ Hip – 62″ | Size made: P | @jessicarosesews

Jess made a Size P based off of her hip measurement. For her next pair she plans on grading the waist so there is less excess fabric in the back.

Laila: Waist – 42.9″/109cm Hip – 53.4″/137cm | Size made: M | @La.ila.creates

Laila made a Size M based off of her hip measurement. To adjust for the waist difference, she made the back darts each .75″/2cm wider (but kept the length the same) and tapered the center back seam to .75″/2cm at the waist.

Carolyn: Waist – 30” Hip – 34.5” | Size made: B | @Carolynchen403

After making a toile, Carolyn noted some adjustments that she wanted to make. She made leg gusset smaller and made front pleat a little smaller to accommodate for a larger waist measurement my larger waist. She also took in more at center back to work better with her body.

Hopefully seeing all the different sizes is helpful for you when picking a size for your Jones Trousers. You can see that the pattern is pretty forgiving in terms of fit. You may select your size based on your hip or waist measurement or in between. Be sure to refer to the finished garment measurements when selecting a size to be sure you are happy with the amount of ease.

Once again, thank you to all my amazing testers! Going back through all the photos has me feeling so grateful for everyone who is so willing to help making sewing patterns better. If you have any questions about selecting a size please don’t hesitate to reach out to me: emily@goldfinch.limited.

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Introducing the Jones Trousers

I’m thrilled to introduce the Jones Trousers. These pants have become a staple in my wardrobe since I nailed the design. The pants are designed using zero-waste cutting techniques, leading to an unconventional pattern layout that is fun to sew! Over the past six months, it has been a challenge to tweak the design to include 19 sizes, ranging from 33″(83.8cm) hip to 72″(182.9cm).

Jones Trousers PDF Sewing Pattern

I have been searching for my “perfect” pants for a while. I knew what I didn’t like about the ones I already owned and ideas about what my ideal pair should be, but I couldn’t quite seem to find them. A few sewing patterns came close, but there was always a little something missing, something that stopped me from spending my time making them.

My goal when designing these trousers was to create an elevated basic – comfy, everyday pants – that would fill a hole in my wardrobe. I wanted pants that not everyone had. A pair of pants with a little something extra without being over the top. Ease, movement, functionality, and style were key elements that I wished to incorporate. I wanted to feel comfortable bending over, sitting on the floor, going on a walk, or going out to dinner. There were also design elements that I wanted wanted to include, e.g. fitting at the natural waist, with plenty of ease throughout the hips and inverted box pleats to add a bit of drama. Finally, I challenged myself to bring all my ideal details into a zero-waste layout. With these thoughts in mind, I began looking at inspiration in ready-to-wear pants (check out this Pinterest board) and started the design process.

Six months, lots of research and samples later, the Jones Trousers are now a garment you can make. I’m pleased with how these pants have evolved. I can’t believe that I checked all my boxes and I now have pants I can wear effortlessly. I feel good when I wear them, and I can look fancy or casual, funky or professional.

Fabric selection plays a vital role in the final look of the Jones Trousers. A drapey, lightweight fabric (e.g. Tencel Twill – 6oz.) will flow down the waist and around the hips. Because the material has a more fluid drape, the pants will fit closer to the body, and the amount of ease designed into the pants is not as evident. A heavier weight fabric with more structure (e.g. brushed denim – 9oz.) will highlight the shape of the pants more clearly. The ease is more evident because the fabric sits away from your body. A pant made of mid to heavy-weight linen (e.g. 6-7oz) will fall somewhere in the middle.

Size H – Tencel Twill – 6 oz.
Size H – Linen – 7 oz.
Size H – Brushed Bull Denim – 9 oz.

One of the funnest parts of designing using zero-waste pattern cutting techniques is trying to figure out the little details that can really elevate a garment. For these pants that includes the unique shaped zipper fly, the button loop and eliminates the need to sew a button hole, interior cell phone pocket, and the leg gusset.

My pattern testers did an amazing job of bringing the Jones Trousers to life. They helped bring this pattern to the level that it is at now, pushing me to make it the best possible. I will be sharing their versions over the next few weeks, both on Instagram and the blog.

Jones Trousers PDF Sewing Pattern

I’m looking forward to seeing everyones versions of the Jones Trousers. Use the tags #goldfinchjonestrousers #jonestrousers and @goldfinchtextilestudio to share your makes. I love seeing people’s different versions of the pattern. If you have any questions about the pattern please don’t hesitate to reach out to me at emily@goldfinch.limited. Thank you for your support!

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Simone Overalls: Minimal Waste PDF Sewing Pattern

I’m thrilled to introduce you to the Simone Overalls. They are a versatile and effortless everyday overall that can be worn tied in a variety of ways. The Simone Overalls come in 7 size ranges – up to a 74″ (188cm) hip – along with the option to self-draft based on your own specific measurements. The pattern creates minimal fabric waste and the pattern pieces are drawn directly onto the fabric – no need to print, cut, and tape the main pattern. The only pattern pieces that need to be printed are the bib cutouts. The pattern includes a Self-Drafting Guide that walks you through making the pattern pieces for your specific measurements – no matter what size you are. The Self-Drafting Guide and fit guidelines can be used in conjunction with the given size ranges to make fit adjustments easily.

Buy Simone Overalls Pattern

I must admit that when I started designing the Simone Overalls, I had not worn overalls for probably 25 years. After seeing them pop up more and more, I was intrigued by the concept and wanted to give them a try. I decided to take a stab at designing my own pair with the goal of being zero-waste. I knew I wanted something that was flexible, easy to wear, and worked on a wide range of body types.

While I didn’t reach a fully zero-waste design, I feel that I achieved my other design goals. The Simone Overalls are comfortable and allow for lots of movement. The ability to tie the overalls in numerous ways lends to additional creativity when getting dressed. They work well with a variety of fabric types and weights; from drapey linen to more structured cotton twill or lighter weight denim. In the end, the pattern is minimal waste, with the potential to be zero-waste depending on your size and fabric layout. Any remaining fabric will be a very useable offcut.

The design is based on the wearer’s hip measurement and the waist ties bring everything in at the waist. The ties can be tied in multiple ways, giving the wearer a lot of versatility. The shoulder straps are also adjustable allowing the overalls to be worn looser or closer to the body depending on the desired look. This adjustability allows the Simone Overalls to be worn with various tops underneath and allows the garment flexibility for potential body changes. One tester noted that they would make great maternity wear. I appreciate their ability to loosen if I don’t feel like wearing anything tight around my waist, but I can change the way the overalls are tied to make a new look and feel when I want.

I had an amazing group of testers who gave me excellent feedback on the pattern. It is incredibly helpful to have other sewists make your pattern; not only do they check the fit and double-check for errors, but it also helps to have people who work and think differently than I do review the process and steps. Sometimes things make sense to me, but might not to other people so it is very informative to receive the tester’s feedback. It was wonderful to work with them and I have loved seeing all of their versions.

Here are some of my testers showing off their Simone Overalls. Thank you again testers!! Check them out on Instagram to see more of their amazing work – top row (left to right): @slowsewed, @sarah_seams, @handmademandy, @pockifish – middle row (left to right): @Mogglemakes, @threadandsprout, – bottom row (left to right): @madebyloobles, @tijerashomesewn, @queen_ambrosia_, @jess.sews.stuff

Buy Simone Overalls Pattern

In addition to the PDF pattern, I also started a Youtube channel. As of now, I have a demonstration video that shows all the different ways that the Simone Overalls can be tied at the waist. There are also the first couple of videos up for the Simone Overall sew-along. You can currently find videos on How To Insert the Leg Gusset Parts 1&2. I hope to have the remaining videos up shortly so be sure to check back if you want to follow along.

Simone Overalls Tie Options

I hope you enjoy sewing and wearing the Simone Overalls as much as I have. I’m looking forward to seeing more versions out in the world. Tag @goldfinch.limited and #simoneoveralls on Instagram if you make them or send me a photo – I love to see your makes! Also, if you have any questions about the pattern or design please don’t hesitate to reach out – emily@goldfinch.limited. Enjoy!

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Xanthea Zero Waste T-Shirt

Liz Hayward from The Craft of Clothes recently released a zero-waste t-shirt pattern – the Xanthea Top. Liz proposed a pattern swap with our latest patterns, as t-shirts and overalls are a perfect combo. I’m not quite done with the Simone Overalls pattern, but I’m looking forward to styling the Xanthea Top with my finished overalls and seeing Liz’s version of both together. It was also perfect timing, as I have been wanting to make some basics for myself and tees were first on my list.

The Xanthea Top is very versatile, as it is designed to be used with knit or woven fabrics and it is drafted up to a 70″ bust. The top has a fun, unique construction, and a slightly boxy fit. The final top hangs on the bias so it has a nice drape. It also has options for short sleeves or long sleeves. Liz provides a printable mockup of the top so you can fully understand the construction before you get started.

Short-sleeved version with neckline for knit fabric
Long Sleeve version with neckline for woven fabric

I decided I wanted to play with and highlight the unique design lines created on the front of the top. It has been a while since I made a handstitched garment so I was excited to jump in again with the Xanthea top. My goal was to use mock flat-felled seams for the body and finish the neckline with a more stretchable stitch. I made a few minor changes to the overall design; including using the woven neckline for the knit version, omitting the sleeves, and taking out a bit at the shoulders.

I made a size 10 based on my body measurements and I’m very happy with the fit. I also made a version out of woven fabric in the same size and while it does fit, I think I may size up for future versions made with woven fabric as it does pull a bit in the shoulder area when I cross my arms. I’m not sure if this is because of my fabric choice or the size, but I will experiment with that further.

The original pattern does not have shoulder seams, but I decided to slightly modify my top by taking out 1.5″ | 3.8cm from the top of the shoulders. To do this, I constructed the top as directed until I got to the step to cut out the neckline. I traced my desired neckline on the fabric and then I measured down 1.5″ | 3.8cm at the side fold (there is no side seam). I made a diagonal cut from this point up to the neckline. I was left with a triangle cutout that I used to create a facing around the armholes.

Shoulder cutout removed and used as facing for armholes

I also chose to use the woven neckline for the top because I wanted a lower neckline. When I cut out the pattern, I cut an additional 1″ |2.5cm strip the same length as the required square. I used this strip as the binding around the neckline. I did have a little bit of this strip remaining and I used this to help finish the facing at the armholes. I used the neckline cutout as a back facing and I really like the detail on the back of the shirt.

The last thing that I changed was to eliminate the sleeves for my knit version because the boxy fit creates cute little cap-like sleeves. As I said above, I used the excess that was cut off the shoulders as the facing for the sleeves. Because there are no shoulder seams, the excess triangle that I cut from the shoulders needed to be cut open so that I could stitch it to the arm opening. I matched the center of this elongated polygon with the top shoulder seam, right sides together, and stitched it to the arm opening. I finished the facing by turning it to the wrong side and stitching around the perimeter of the armhole and along the diagonal edges of the shoulder cutout. I wish I had gotten better pictures of this process because it is a bit hard to describe, but the video I recorded while doing it was blurry – oh well. I am really pleased with how this detail turned out and how it compliments the original design lines of the top.

As the weather cools, I’m looking forward to making more versions of the Xanthea Top. I have plans for a woven version with slightly puffy sleeves and I also like Liz’s idea of making it a sweatshirt with a hood. This is definitely a pattern that I will be coming back to often. Please let me know if you have any questions about my mods.

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Lawrence Top Dress Hack

I have been thinking about making a dress version of the Lawrence Top for a while. I began with the idea of lengthening the tunic version and adding a wide ruffle at the bottom. I did the math, adjusted the pattern pieces, and selected fabric, but something was holding me back. The more I thought about my idea, the more I realized I couldn’t see myself wearing the final version. I loved the idea, but the design didn’t fit my wardrobe or lifestyle. I love the look of ruffles and frills, but I don’t necessarily like wearing them. I didn’t want to make something that I would only wear once or twice.

I put the idea on hold for a bit while I tried to decide what direction to go with it. When I found a piece of navy double gauze in my stash, my motivation for making a dress was renewed. I decided to blend the two views of the Lawrence Top and make an oversized shirt dress with a tie.

As I looked at the original pattern, I tried to think about what aspects of each view I wanted to use in the hacked dress. I wanted to use the shape and inseam pockets of the tunic version, but with shorter sleeves that could be rolled up if I wanted a different look. I also knew I wanted to incorporate the split hem from View B, but I wanted the hemline to be even.

Once I started laying out all the pieces on my fabric, I was able to work on more specific details of the design. My piece of fabric was 59″|150cm wide x 90″|229cm long. I began by switching the orientation of the original pattern pieces (to be oriented with the grain instead of cross-grain) so I could get more length. Based on the length of fabric I was able to get a dress that hits above the knee.

Adjusted pattern piece layout

I also wanted a little more volume to the dress, so I made the front and back panels wider. I didn’t change the width of the yoke and I was able to gather the panels more. I did make the yoke taller – making it 9”|23cm instead of 6”|15cm – to go with the proportions of the more oversized look.

The buttons are one of my favorite parts of the dress. I found these yellow, vintage buttons last summer and when I got them I had no project in mind. I just loved how all the different shades of yellow and different shapes went together. Once I started sewing the navy gauze, I remembered that I had the yellow buttons and I knew they would be the perfect fit for the dress. I love how they pop on the navy fabric and add a bit of whimsy to the dress.

While I was making the dress, I thought about various ways that it could be worn. I wanted to make sure that it worked in a variety of situations and seasons. The dress definitely feels fancier when it is tied at the waist, but it can also have a casual feel. I like how it feels flexible in its style. The dress layers well over leggings and it can be worn in the cooler months. And I discovered (after we took these pictures, of course) that it layers well over wide-leg culottes. Worn without the tie, it creates a very artist smock vibe which I really like. Wearing it untied, without pants, is also an option. I think it will be great to throw over my swimsuit when we head to the beach.

If you have made the Lawrence Top and/or tried hacking the pattern I would love to hear about it. Leave a comment or post and tag me on Instagram @goldfinch.limited #zwlawrencetop. I love seeing everyone’s makes!

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Hack: Patchy Cropped Lawrence Top

When my friend Jamie (@reclaimedcraft) asked if I was interested in some fabric cutoffs from her time working at Elizabeth Suzann, I jumped at the chance. I have a never-ending supply of fabric scraps, but the opportunity to use high-quality fabric is hard for me to turn down. I have a couple of idea swimming through my head of what I will be doing with these scraps, but my first desire was to create a patchy, cropped Lawrence Top.

Upon opening the boxes of scraps, I was immediately drawn to the olive linen. I had visions of a monochromatic top with a few pops of contrast. The navy linen was the perfect pairing with the olive. I began by sorting and ironing out the scraps. The next step was to straighten all the edges. In the past, I have tried to work the various curves and diagonal cuts into the finished whole cloth, but for this project, I wanted to work with only the straight lines. I now have a pile of smaller cutoffs, but I have a few ideas running through my head about what to do with those.

Once the fabric had been prepped, the fun part could begin. Based on the amount of scraps I had, I decided to make some changes to a few elements of the design. First, I used a large inverted box pleat on the back panel instead of smaller pleats or gathers. When working with all the seams of the patchwork, it can sometimes be a little tricky to get the fabric to drape well so I wanted to eliminate a bunch of pleats/gathers that might interfere with how the fabric hangs. I also decided to anchor the pleat 1″ down from the yoke to create a more dramatic effect.

For the front panels, I decided to make them the same width as the yoke and eliminate the pleats/gather all together. There is still plenty of ease for me, but if I had been making the tunic version I probably would have stuck to the original dimensions. The only other change that I made to the pattern was using snaps instead of buttons. I really like that clean finish of the button band. Once you have an understanding of how the pieces come together, it is easy to make adjustments that work for your body and the fabric you have.

The process of piecing the fabric together is simple but does take some time. Once I got into a rhythm, it went pretty quickly. I find that it is helpful to layout some fabric pieces and have a general idea of how one section might go together. For example, if I know I need to have a finished piece of 12″ X 22″, I will see what pieces I have that fit within those dimensions and see how they layout. I attempt to have a bit of a game plan before I get sewing.

To begin the patchwork, I first sew my fabric pieces together and trim any excess fabric. I then finish the raw edge with a zigzag stitch. Next, press the seam to one side and topstitch the seam in place. I continue on like this, building the piece of fabric to the desired dimensions. Once I have the size I need, I treat it just like a pattern piece and sew everything together.

Working through this process is time-consuming, but also very rewarding. This top was created from waste and it feels good to be able to make something fun and beautiful with these leftovers. By using the Lawrence Top pattern as a guide, I hope to make more patchwork tops – maybe something with more color/pattern mixing.

Thank you again, Jamie, for taking the time to save the scraps, sort them and send them my way. If you have any questions about this process or the pattern please don’t hesitate to email me – emily@goldfinch.limited. If you try this process or any other hacks, I would love to see your final top. Email me photos or post on Instagram using #zwlawrencetop and #goldfinchlimited.

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Lawrence Top Tester Recap

I wanted to put together a special post to highlight my testers final garments. I would not have been able to complete the Lawrence Top sewing pattern without their wonderful help. I really enjoyed working with these women and seeing their finished garments makes me very happy. Thank you again for all your help!

What is great about the pattern is it’s versatility; not only in how you wear the garment, but also how it can work with different types and sizes of fabric. Seeing all the tester versions next to each other really highlights how flexible this pattern is.

Andrea made View B in a lightweight viscose from her stash. Due to the size of the fabric, she didn’t make the low/high hemline. She also used a different piece of lightweight fabric for the interior yoke. Both of these mods are great places to change up the pattern if you have less fabric than recommended. If you click through on her post, you can see her pattern pieces all cut and laid out, along with the very minimal waste she has when finished.

Eli made View A in a more structured gingham cotton. I love how she styled the top in a variety of ways; over jeans, layered with a cozy scarf, and open as a jacket/cardigan. I really enjoy wearing oversized button-up shirts over tank tops, so this will definitely be my go to way to wear the tunic this spring.

Sarah made View A in viscose rayon. She used a wide cut of fabric and was able to lay out her pattern pieces with the fabric grain, as apposed to cross-grain that the pattern calls for. The top is wonderfully drapey and looks good open or closed.

Rebecca made View A in a crisp, white linen. Rebecca styles the tunic with and without a turtleneck showing that the top can be worn throughout many seasons. Rebecca has plans to make another tunic, but making it a bit narrower by adjusting the width of the front and back panels. She also mentioned the idea of modding the pattern into a dress and now I’ve been thinking about ways to make one for myself.

Rose made View B out of a beautiful piece of linen. She made size 2 as her bust size fits right on the lower end of the size range. I love how she styled the cropped top with cozy linen pants. I can’t wait to see her tunic version.

Michelle (@zoetemeyer) made View A in a drapey rayon. Due to the size of fabric she had, she rearranged the pattern pieces and ended up making a longer, narrower version of the top, with a low/high split hemline. She also omitted the seam facing details and instead used this leftover fabric to test her buttonholes. It’s nice to see how she took the pattern pieces and moved them all around the fabric she had to make it work.

Elana (@the_solstice_studio) made a View B of the top. She had a lot of wonderful ideas to mod/hack the pattern: “I thought of a number of ways to use excess fabric or mistakes to keep the top zero waste including ruffles, a tied bow at the front, sleeve details, making an even longer top that’s actually a dress (I fantasized about a dress version of option B the entire time I worked on it, cinched at the waist with a ribbon made from excess fabric or a belt), or even longer sleeves for a winter version of option B.”

Thank you again to my testers! I hope seeing these finished tops gives everyone some inspiration and I look forward to seeing many more finished Lawrence Tops. I would love to see not only your finished garment, but also your process – post on Instagram using #zwlawrencetop and #goldfinchlimited.

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Lawrence Top – Side Seam Facings for View B

During the testing phase for the Lawrence Top a few people suggested that I include photos to show how the side seam facings are sewn. This is a technique that is not used often so there is not a ton of visual reference to be found.

I photographed a step-by-step tutorial to show how the side seams facings are sewn into the top. While this tutorial is specific to View B, the concept can be applied to the single seam facing for View A.

While designing the Lawrence Top, I wanted to find uses for all the fabric cutoffs to make the design zero waste. The neckline cutouts are perfect for seam facings and create a nice finished look. For View B of the top, the split seams required 2 sets of facings. While working through the pattern piece layout I needed to plan accordingly to accommodate for both sets of facings.

Originally, I had planned for two sets of triangles to be the seam facings at the split seam. During my testing, I discovered that my triangles for the second set of seam facings were not mirrored images of themselves like facings created from the neckline cutout. This created a problem if you are using a fabric that has a definite “right” and “wrong” side. So I adjusted and made the facings into rectangles. In the end, it creates an interesting design detail and finishes the seams nicely.

I hope this tutorial is helpful when putting in the side seam facings. Please don’t hesitate to reach out if you have further questions –  emily@goldfinch.limited