Lately I’ve been intrigued by the idea of painting with natural dyes. My hope and vision is to use natural color to create unique painted fabric using upcycled cloth. I’ve tried working with iron water as color modifier to paint patterns on naturally dyed fabric, but I have not been very successful. The patterns and colors tend to bleed together too much when washed.
After some initial research in Natural Color by Sasha Duerr, I decided to go ahead and give it a try. Promagrenate skin dye was up first. I simmered the skins on and off for a day. After straining the liquid from the pulp, I reduced the liquid dye by simmering it again for about an hour. Then I added guar gum to thicken up the paint. I also wanted to change up the color so I added iron to half of the paint.
My pomegranate paint was much more orangey, coral color then I thought it would be. I was expecting it to be much more yellow. Once I started painting, I was pleasantly surprised by how the paint turned bright yellow on the fabric. The fabric was mordanted in aluminum acetate. Watching the color change as a reaction to the mordanted fabric gave me a first hand look at how the mordant effects the dye.
Once washed, the iron paint bleed slightly into the original yellow paint, but the integrity of the design stayed. I also splattered lemon juice on some the fabric. The lemon juice acted as bleach on the natural dye so I was left with an interesting effect on the fabric.
To continue with my experiments, I made paint with avocado pits and tea bags. I used the same technique to make the paint as I did with the pomegranate paint. The avocado dye turned out a very pale coral, pink. In the past I have gotten much deeper pinks from avocado pits so I was surprised by the lack of depth to this dye.
Once washed, the color was altered by the iron. I was pleased by the outcome because it darkened the avocado paint.
As I continue to explore this type of textile art, I have been thinking about other effects the dye could have on the fabric. I wonder if different watercolor techniques that work on paper would work on fabric? What about color mixing? Or combining different dying techniques like shibori and painting? Using different color modifiers besides iron? The possibilities do seem endless as there are lots of questions and ways to play with natural color.